Kowalski
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
  • Bronze sculpture by Jean-Charles Collard. (1881-1951)
Bronze sculpture by Jean-Charles Collard. (1881-1951)


A very rare bronze sculpture by the animalier Jean-Charles Collard (1881-1951) ,Fonderie Batardy Bruxelles, Cire Perdue. Antwerp, circa 1920. Signed J. Collard. Dimensions: H29 by 60cm. H11.42 by 23.62 inch. signed "J. Collard" and with foundry stamp Batardy Brussels, Cire Perdue. Literature: Sculpture in Belgium, Engelen-Marx p.265. Rembrandt Bugatti and the Belgian animal image. 1860-1930. Hessenhuis 1990. P.140. Sladmore Gallery 57 Jermyn Street, St James's, London, SW1Y 6LX. Jean-Charles Collard. Antwerp 1881-1951 Brecht. Sculptor-Animalier Jean-Charles Collard was the twin brother of the sculptor George Collard. They studied together at the Academy of Antwerp and were pupils of Thomas Vinçotte. In 1903, he received the Second Prize of Rome and in 1907, he won the Godecharle Prize (Rik Wouters and Marcel Wolfers were second) with the work Le Repos, Seated Woman which he exhibited at the Brussels Salon. Probably due to his family connection with the animalist Josuë Dupon, which brought him into contact with his friend Rembrand Bugatti, he later concentrated mainly on animal sculptures. In 1918 he also recognized the "Protest of Antwerp artists and intellectuals against administrative separation", addressed to the German Chancellor Count von Hertling in Berlin. He became a professor at the Academy of Antwerp. During World War II, his studio was destroyed, resulting in the loss of much of the documentation of his work. One can only estimate the breadth and stylistic evolution of Jean Collard's work on the basis of ten sculptures and a handful of documents and illustrations. Rigorous realism and a very thoughtful modeling technique set him apart from his brother Georges, whose approach was more informal and aimed for more powerful effects. As far as we know, Jean-Charles did not produce any monumental work. Like his brother, he was active in several artists' associations and between 1910 and the outbreak of World War II his work was regularly shown at exhibitions in the Netherlands and abroad. He died in Brecht in 1951.

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Region: Antwerpen
Country: Belgium
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Articulated Studio Mannequin In Walnut, Early 20th Century. Signed .h66cm.

Articulated Studio Mannequin In Walnut, Early 20th Century. Signed .h66cm.

Articulated Studio Mannequin In Walnut, Early 20th Century. Signed .h66cm." a beautiful walnut mannequin from the early 20th century. Signed V. Deroussen. Note: old restoration on one foot.
Bronze sculpture by Alphonse Van Beurden

Bronze sculpture by Alphonse Van Beurden

A fine bronze bust of a young lady signed "Alph.Van Beurden, Fonderie Batardy, Cire Perdue. Alphonse Van Beurden (Antwerp 1854 -Antwerp 1938) Dimensions: H34 x W18 x D12 cm. H13.39 x W7.09 x D4.72 inch. Alphonse Van Beurden was a student at the Antwerp Academy, where he was a student of Joseph Geefs and Edouard Dujardin ( 1868-1881). He was awarded 1st prize for sculpture in 1874 and 1877, but later taught drawing at the same academy. He also worked with Jef Lambeaux. In 1884, he became a member of “Als ik kan”. “If I can”), an association of artists active from 1883 to 1952; he sculpted busts of the members. From 1885, he taught at the Antwerp Academy. successful, he won several medals in international salons. The absolute central theme of his art lies in the field of so-called bourgeois salon art In the perfect representation of naked young people, women and especially children in stockings. age, Alfons Van Beurden excels like no other. His handling of equipment, his technical abilities and his anatomical knowledge still arouse astonishment and respect today. Van Beurden clearly preferred charm to drama, and loved the mischief and unexpected reactions of his models which he was able to express through sculpture in terracotta, marble or bronze, always with a high degree of verisimilitude. Van Beurden's qualities were not only appreciated in his home country of Belgium, but he was rewarded with countless foreign prizes, as far as Australia. He likes to represent children with great tenderness. He created the two female figures on the balcony of the Diamond Exchange in Antwerp, the allegorical “Egyptian Art” scene on the north facade of the Royal Museum of Fine Arts in Antwerp, as well as the superb 2m80 caryatids on the staircase of the museum . Other works in museums in Brussels, Antwerp and Antwerp Zoo. After 1890, he devoted himself to creating small, elegant statues. To be distinguished from his son Alphonse Van Beurden Jr or II who was above all a painter (1878-1962).
Pair of Nubians vide poche.

Pair of Nubians vide poche.

Pair Of Nubians,Vide-poche, in polychrome carved wood - Italy 19th Century.. Venetian work circa 1880s. Dimensions: H45 x D24 x B21cm. H17.72 x D9.45 x B8.27inch.
An elegant pair of Austro-Hungarian solid silver Biedermeier style candelabra.

An elegant pair of Austro-Hungarian solid silver Biedermeier style candelabra.

An elegant pair of Austro-Hungarian solid silver Biedermeier style candelabra from the early 19th century. Dated 1817 813/1000. WEIGHT 3455 GR Dimensions: H53 x 31 x 31 cm. H20.87 x 12.20 x1 2.20 inch.
A rare modernist pentagonal silver coffee and tea service.

A rare modernist pentagonal silver coffee and tea service.

A rare mid-20th century modernist pentagonal silver and wooden coffee and tea service with tray. Signed and stamped Agma Milano, lavorato a mano (800/1000) Italy c.1950s. Dimensions: H18 x W38 x D38cm. H7.09 x W14.96 x D14.96inch. Coffee pot: W 25 x D 16 x H 16,5 cm. Teapot: W 22,5 x D 15,5 x H 15 cm. Sugar bowl: W 15 x D 12 x H 11 cm. Milk jug: W14,5 x D 9 x H 9,5 cm. Tray: 38 x 38 x H 1,5 cm. Weight 2.240 kg, without tray.
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A Silver macaw.

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A Silver macaw.

A mid 20thC. solid silver macaw on an onyx base. Stamped A830. Dimensions: H31 x W18 x D12cm. H12.20 x W7.09 x D4.72inch.
A beautiful early 20th century chariot or carving trolley by Christofle Paris

A beautiful early 20th century chariot or carving trolley by Christofle Paris

A beautiful early 20th century chariot or carving trolley by Christofle Paris on a mahogany base. France 1930s Completely restored and silver re-plated! In perfect original condition. Dimensions: W 116 x D 50 x H closed 105 / open 90 cm. W 45.67 x D 19.69 x H closed 41.34 / open 35.43 inch.
An impressive mid 20thC. life size Art Deco stone Jaguar.

An impressive mid 20thC. life size Art Deco stone Jaguar.

An impressive mid 20thC. life size Art Deco stone Jaguar. Provenance: private collection Athens, Greece. Note: old restorations on the tail Dimensions: H75 x L200 x D38cm. H29.53 x L78,74 x D14,9 inch.
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  “The Donkey Ride” A beautiful sculpture  in “Bianco Statuario marble”

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“The Donkey Ride” A beautiful sculpture in “Bianco Statuario marble”

“The Donkey Ride” A beautiful sculpture of 2 girls and a donkey in “Bianco Statuario marble” (white marble without veins) by Charles Reymond-Günthert. Paris Circa 1910 Dimensions: H80 x W75 x D35 cm. H31.50 x W29.53 x D13.78 inch. Charles Reymond-Gunthert (Vevey 1871 - La Comballaz. Vitazeile 1941), Swiss sculptor. Student of the Parisian sculptor Hector Joseph Lemaire. Academies and schools attended: National School of Decorative Arts of Paris Prizes received: 1st prize for decoration from the National School of Decorative Arts Works: Lausanne Historical Museum: Statue "The Hostage", by Charles Reymond-Gunthert, displayed above the fountain in the atrium of the Palais de Rumine, on the occasion of the Swiss National Exhibition of Fine Arts of 1904. Bronze sculpture” the Hostage” (1905) - Charles Reymond-Gunthert (1871 - 1941), Jardin du Rivage, Vevey Marble Relief.Museum in Ormont-Dessus, Switzerland Paris Salon 1913, he exhibited a portrait-medallion in silver.
A mechanical pedestal.

A mechanical pedestal.

An oak mechanical tripod pedestal. France c. 1900s Dimensions: H101 x70 x 70 cm. Max. Height 135 cm. H39.76 x 27.56 x 27.56 inch. Max. Height 53.15 inch.
An exceptional round display cabinet

An exceptional round display cabinet

A very rare late 19th century English round freestanding 2 door brass display cabinet with a beautifull parquet floor, mahogany base, 4 casters. Dimensions: H203 by 112cm. H79.92 by 44.09 inch.
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A very large Giant Clam Shell.

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A very large Giant Clam Shell.

A very large19th century Giant Clam Shell ( Tridacna Gigas ). Tridacna is a genus of large saltwater clams, marine bivalve molluscs in the subfamily Tridacninae, the giant clams Dimensions: 101 x 66 x 38cm. 39,76 x 25.98 x 14.96inch.